Sunday, 7 October 2018

Method in making.

Over the past few months I’ve been making some textile pieces using the antique textiles collected from dealers in the past year. I consciously tried to avoid buying indigo and Japanese fabrics as I’ve a considerable stash already, and tried to find unusual patterns instead.

People like to know where ideas and inspiration comes from and must say that I don’t have a particular idea in mind when starting, sometimes a vague idea of a look I want to achieve. My love of boro of course, has not diminished, I love distressed, aged and delicate textiles and this influences my work. 

In the past with other artwork, I used sketchbooks and developed ideas with paper and fabric sampling. I find that doesn’t suit my current work as I use antique textiles and they are one of a kind pieces. The fabrics lead me with the design and as any textile lover will know, just playing with the fabrics will bring up multiple ideas. It doesn’t always work and have some abandoned and “I don’t like it” work to prove it!

Years studying art and design, and my degree in costume learning many disciplines of surface decoration, printing  and dyeing, all inform my decisions. Living in London gives me the privilege position in visiting exhibitions on art, fashion and culture, it all goes in and influences me, consciously and unconsciously. Most of all though, the most important aspect for me is the enjoyment and calm making textile art gives and if other people enjoy it too, then all the better. :)

Remains. Texitile workStarry Night. Textile workLuna.Textile workConstellations. Textile art

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